Nat wolff in the fault in our stars
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The book, set in Orlando, follows a quiet but philosophical teenager named Quentin, who once discovered a suicide victim with his beautiful neighbor Margo. More importantly, Wolff is an extremely good fit for the protagonist of Paper Towns. Wolff, who co-stars in The Fault In Our Stars as cancer patient Isaac, has also proven his considerable dramatic talents in the criminally underrated Stuck In Love and Admission. In addition to The Fault In Our Stars, the screenwriting duo previously wrote (500) Days of Summer and The Spectacular Now, two romantic dramedies roundly acclaimed for their refreshingly honest, bittersweet tone. In particular, Neustadter and Weber have a very strong track record. Luckily, what we’ve seen of The Fault In Our Stars (which stars Divergent actors Shailene Woodley and Ansel Elgort) thus far seems to accurately capture the duality between hilarity and heartbreak that made Green’s book so distinctive, so news that Fox 2000 is entrusting another Green adaptation to the same team definitely bodes well for it.
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Paper Towns is widely considered to be one of his best works, so fan anticipation is already high for the adaptation. Fans of the book will be glad to hear it is faithful to Green's tale." - Claudia Puig, USA Today.Considering how well The Fault In Our Stars is tracking (its first trailer broke 3 million views in less than 24 hours), Fox 2000’s enthusiasm in extending its working relationship with Green doesn’t come as much of a surprise.
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The movie is well-written, well-acted, acerbic, funny and wisely observed. "'Stars' is an unabashed tearjerker, though it's also about celebrating life. Her name is Shailene Woodley." - Jocelyn Novek, Associated Press. But there's one major reason that the movie succeeds in this regard. "'The Fault in Our Stars' is, despite the occasional misstep in tone, largely a solid success - a film that not only manages the transition from page to screen nicely, but also navigates with skill that hugely tricky line between the touching and the trite, the moving and the maudlin.
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Woodley has a face that can look plain in repose and startlingly beautiful in motion, when her delicate pink skin becomes near translucent." - David Edelstein, New York Magazine. "The film does, however, have the best weapon in the world against the perception of slickness: an actress without a smidgen of actressiness. Soulfully acted, especially by a never-better Shailene Woodley, and several degrees smarter than most films aimed at teenagers, this Fox melodrama ought to strike a resonant chord with young audiences." - Andrew Barker, Variety. "It walks a knife's edge between heart-on-sleeve sensitivity and crass exploitation for its entire running time, and the fact that it largely stays on the right side of that divide has to mark it as a success. Weber has preserved the distinctly literate tone of the book, even if they do occasionally deliver scenes that feel overwrought." - Justin Lowe, The Hollywood Reporter.
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Turning the screenwriting over to adaptation experts Scott Neustadter and Michael H. "The greatest strengths of the film clearly come from Green's novel, which resolutely refuses to become a cliched cancer drama, creating instead two vibrant, believable young characters filled with humor and intelligence, both facing complex questions and issues unimaginable even to people twice their age. Directed by Josh Boone ('Stuck in Love') with scrupulous respect for John Green's best-selling young-adult novel, the film sets out to make you weep - not just sniffle or choke up a little, but sob until your nose runs and your face turns blotchy. "The movie, like the book before it, is an expertly built machine for the mass production of tears. Read on to see some of their takes on the film (though, if you're one of those people who read the book and can quote it from memory, let's be real here - chances are you'll see the it no matter what the critics say). Fans of the book have been eagerly anticipating the film's Friday debut, and they'll be happy to hear that many critics have praised the adaptation as doing its source material justice.